The Bodhi Tree

For seven days after the
Enlightenment, the Buddha
continued to meditate
under the Bodhi tree without
moving from his seat.
During the second week
he practiced walking meditation.
A jewel walk, Chankramanar,
was built as a low platform
adorned with nineteen
lotuses which are parallel
to the Maha Bodhi temple
on its north side. For
another week the Buddha
contemplated the Bodhi
tree. In this place a
stupa was built called
Animeschalochana situated
to the north of the Chankramanar.
On the back of the main
temple situated to the
west (see picture) there
is an ancient pipal tree
Ficus religiosa or Bodhi
tree. It was under this
tree that Gautama sat
for enlightenment. The
present tree is considered
only as the descendant
of the original tree.
There is a tradition that
Ashoka's wife had it secretly
cut down because she became
jealous of the time Ashoka
spent there. But it grew
again and a protective
wall was also built at
the time. Many sacred
trees in India and other
countries are originally
raised from seeds brought
from the ancient Bodh
Gaya tree. A shoot of
the original Bodhi tree
was taken to Sri Lanka
in the 3rd century B.C.
by Bhikkhuni Sangamitta,
daughter of Ashoka, where
the Lankan king Devanampiyatissa
planted it at the Mahavihara
monastery in Anuradhapura
where it still flourishes
today. While the Vajrasana
was the specific site
of the enlightenment,
the Bodhi tree, closely
linked to the Buddha's
accomplishment, became
a central focus of devotion
early in the history of
the Sangha. Pilgrims sought
the Bodhi Tree's seeds
and leaves as blessings
for their monasteries
and homes.
Around the Bodhi tree
and the Mahbodhi temple
there are quadrangular
stone railings around
0.2m high with four bars
including the top piece.
These are of two types
and can be distinguished
from each other in style
and material used. The
older set is dated to
about 150 BC and made
of sandstone while the
latter set is probably
of the Gupta period (300-600
AD) and constructed from
course granite. The older
set has a number of designs
representing scenes from
the purchase of Jetavana
by Ananthapindika at Sravasti,
Lakshmi being bathed by
elephants, Surya riding
a chariot drawn by four
horses, etc. On the latter
set there are figures
of stupas, Garudas, etc.
In most of these railings
lotus motifs are commonly
used.
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